In the 1970s he ventured into the developing genre of world fusion music. He appeared on Coleman's 1971 LP Science Fiction, and from 1976 to 1987 reunited with Coleman alumni Dewey Redman, Charlie Haden, and Blackwell in the band Old And New Dreams, recording four albums with them, two for ECM and two for Black Saint, where his "subtlety of rhythmic expansion and contraction" was noted. In 1969, Cherry played trumpet and other instruments for beat poet Allen Ginsberg's 1970 LP Songs of Innocence and Experience, a musical adaptation of William Blake's poetry collection of the same name. For ten years, Don and Moki Cherry lived and worked collaboratively in an abandoned schoolhouse in Tagarp, holding classes and performances, hosting guests and collaborators, and exploring their concept of Organic Music Society. In 1968, Don Cherry taught music classes with guest lecturers, performance collaborators, and workshop leaders from around the world at Arbetarnas bildningsförbund (ABF) House, a Swedish labor movement-run education center. In the late 1960s he settled in Tagarp, Sweden with his wife, Swedish designer and textile artist Moki Cherry. He traveled through Europe, India, Morocco, South Africa, and elsewhere to explore and play with a variety of musicians. Ĭherry at Park Le Cascine, Florence, Italy, September 1975Īfter a departure from Coleman's quartet, Cherry often played in small groups and duets (many with ex-Coleman drummer Ed Blackwell) during a long sojourn in Scandinavia and other locations. The band included Coleman's drummer Ed Blackwell as well as saxophonist Gato Barbieri, whom he had met while touring Europe with Ayler, and bassist Henry Grimes. His first recording as a leader was Complete Communion for Blue Note Records in 1965. gathered much of their freedom of motion from the free harmonic structures." : 289 Cherry co-led The Avant-Garde session which saw John Coltrane replacing Coleman in the Quartet, recorded and toured with Sonny Rollins, was a member of the New York Contemporary Five with Archie Shepp and John Tchicai, and recorded and toured with both Albert Ayler and George Russell. : 45Ĭherry became well known in 1958 when he performed and recorded with Ornette Coleman, first in a quintet with pianist Paul Bley and later in what became the predominantly piano-less quartet which recorded for Atlantic Records. He also toured with saxophonist James Clay. : 134 While trumpeter Clifford Brown was in Los Angeles with Max Roach, Cherry attended a jam session with Brown and Larance Marable at Eric Dolphy's house, and Brown informally mentored Cherry. Career īy the early 1950s Cherry was playing with jazz musicians in Los Angeles, sometimes acting as pianist in Art Farmer's group. This resulted in his transfer to Jacob Riis High School, a reform school, where he first met drummer Billy Higgins. Cherry recalled skipping school at Fremont High School in order to play with the swing band at Jefferson High School. He lived in the Watts neighborhood, and his father tended bar at the Plantation Club on Central Avenue, which at the time was the center of a vibrant jazz scene. In 1940, Cherry moved with his family to Los Angeles, California. His father owned Oklahoma City's Cherry Blossom Club, which hosted performances by Charlie Christian and Fletcher Henderson. His mother and grandmother played piano and his father played trumpet. AllMusic called him "one of the most influential jazz musicians of the late 20th century." Early life Ĭherry was born in Oklahoma City, Oklahoma, to a mother of Choctaw descent and an African-American father. He was a member of the ECM group Codona, along with percussionist Naná Vasconcelos and sitar and tabla player Collin Walcott. In the 1970s, he became a pioneer in world fusion music, drawing on traditional African, Middle Eastern, and Hindustani music. He also collaborated with musicians such as John Coltrane, Charlie Haden, Sun Ra, Ed Blackwell, the New York Contemporary Five, and Albert Ayler.Ĭherry released his debut album as bandleader, Complete Communion, in 1966. Beginning in the late 1950s, Cherry had a long tenure performing in the bands of saxophonist Ornette Coleman, as on the pioneering free jazz albums The Shape of Jazz to Come (1959) and Free Jazz: A Collective Improvisation (1960). Donald Eugene Cherry (Novem– October 19, 1995) was an American jazz trumpeter.
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